Skip to content
Friday, October 16, 2026
Simply Insight offers in-depth articles on the latest tech …

Film Analysis: Sleaford Mods' Jason Williamson Takes On Role in Critical Look at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this sharp-edged if undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

There is only one key story turn, but it leads to a comically executed chaotic run on the woodland paths that veers toward rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.

The film releases in British and Irish cinemas from 17 November.

The writer

Mariah Jackson

A tech journalist and futurist with a passion for demystifying complex innovations and their impact on society.

Simply Insight

Type to search articles.